iiiPoints Reveals 2024 Lineup Following Last Year’s Sold Out 10th Anniversary

The Miami staple is once again taking over Mana Wynwood on October 18th and 19th, 2024.


iiiPoints 2024 Lineup

Other notable acts on the lineup include Bad Gyal, Bar Italia, Ben UFO, Bladee, Blond:Ish, Carlita, Channel Tres, DJ Koze, DJ Shadow, Glass Beams, horsegiirL, James Hype B2B Meduza, Juan Atkins, Mall Grab, Of The Trees, Raekwon, Sammy Virji, Seth Troxler, Thee Sacred Souls, Tinlicker (LIVE), Toro y Moi, and Yung Lean.

What Makes iiiPoints Miami So Great?

My favorite thing about iiiPoints’ 10th Anniversary last year was the unique variety of stages and the artists who graced them. Each stage and area of the festival was curated with a different look, feel, and sound. This added so much excitement to the festival and truly made it an immersive experience. As someone who lives in the area, I felt like I was in a completely different ZIP code.

Being able to go from seeing Skrillex at the main stage, to Lilly Palmer on the back stage, to Dom Dolla at RC Cola and then having side stages such as TEED at Sector 3 and Keinemusik at Isotropic was special.

Once you enter the iiiPoints gate, you are transported into a small city that feels completely immersive and dissociated from normal Miami day-to-day life. Everywhere you look has a different art instillation, all with completely different vibes and aesthetics, giving the festival an anti-commercial aura. Despite the size of iiiPoints, the festival still retains an intimate feeling with plenty of space to walk around and explore, as well as space to enjoy the sets at each stage.

My personal favorite art piece at iiiPoints was the giant disco ball hanging from a crane over the ZYX stage, illuminating the crowd with glitter and neon lights. Around every corner of iiiPoints was a different activity, many of them not typically seen at festivals. Whether it was a giant skate park with skate rentals, or a billiards room you could play pool in, there was always something new to explore.


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